Listen-a-me!
Zippy returns
to the world of clichés, wielded by the fast-talking
salesman Shelf-Life, who seems to have no clue about what lies behind
them. But he slings casual speech like a pro:
We have
miss the boat,
get on board,
all in black and white,
staring right at you,
be gold,
plain as the nose on your face.
And the colloquial discourse-management formulas
I'm talking here, you know what I'm saying?,
listen
to me,
I know what I'm talking about,
see?,
believe it! (plus address vocative
pal). And two colloquial uses
of
got: obligative
got in "You gotta get on board!",
possessive
got in ""I got
inside information here!" And the repetition for emphasis.
Then there's the representation of casual pronunciations:
-in' instead of
-ing one hundred percent of the
time (8 occurrences); reduced
ya
for
you (one time out of
three);
y'know for
you know (two times out of three);
gotta for
got to; and my favorite,
listen-a-me. (Shelf-Life uses
Auxiliary Reduction --
I'm,
you're,
it's -- throughout, but then so
does Zippy, and these particular "contractions" are used by everybody
in speech, all the time.)
I wonder if anyone has compared Shelf-Life's language with the language
of David Mamet's salesman characters in
Glengarry Glen Ross (beyond the
obvious difference that
Zippy has to stay away
from serious obscenities, while Mamet's characters revel in them).
zwicky at-sign csli period stanford period edu
Posted by Arnold Zwicky at July 15, 2007 12:21 PM